Romanticism and the Gothic: Genre, Reception, and Canon Formation (Cambridge Studies in Romanticism)


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Students taking the module are advised to purchase or borrow the following, although digital humanities e-text sources will also be provided. Texts for purchase will be available in Waterstones on campus and in limited numbers in the University Library. Alternative cheaper second-hand editions are acceptable as long as they are unabridged.

Romanticism in English Literature

Austen, Jane, Emma, ed. The Last Man. Any edition.


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Romanticism: an Anthology. Oxford: Blackwell, Indicative Secondary Bibliography: Abrams, M. Cambridge UP, Learning and teaching methods 10 x 2-hour weekly seminars.

Recollecting the Nineteenth-Century Museum (Guest-editor: Sophie Thomas)

These will include practical group work. The module supervisor or acting tutor will introduce each week's topic. Suggestions for secondary reading will be provided each week on Moodle to ensure and extend critical understanding of Romantic studies. Suggestions for independent research will be provided each week for students who wish to extend their study beyond the immediate scope of the syllabus. This will include a European text each week, because the present single-term module does not allow sufficient time for an in-depth study of continental Romanticism.

Coleridge, Samuel Taylor; Shawcross, John. Keats, John; Forman, H. Y: Broadview Press.

Robert Southey (Guest-editors: Tim Fulford and Matthew Sangster)

Austen, Jane; Jones, Vivien. Mary ShelleyMichelle Faubert. Wordsworth, William; Wordsworth, J. The above list is indicative of the essential reading for the course. The library makes provision for all reading list items, with digital provision where possible, and these resources are shared between students. Fracture and Fragmentation in British Romanticism. What associates fragmentation with Romanticism?

In this book, Alexander Regier explains how fracture and fragmentation In this book, Alexander Regier explains how fracture and fragmentation form a lens through which some central concerns of Romanticism can be analysed in a particularly effective way. These categories also supply a critical framework Goethe: Faust Part One.

Teaching Romanticism XXXI: Drama, part 7

Nicholas Boyle begins with a fascinating survey of earlier versions of the Faust story. He then offers a detailed reading of Faust Part One, emphasising the poetic and dramatic coherence of the work and tracing its links with the thought Gothic Radicalism: Literature, Philosophy and Psychoanalysis in. Applying ideas drawn from contemporary critical theory, this book historicizes psychoanalysis through a new, and Applying ideas drawn from contemporary critical theory, this book historicizes psychoanalysis through a new, and significant theorization of the Gothic.

The central premise is that the nineteenth-century Gothic produced a radical critique of accounts of sublimity and Freudian psychoanalysis.

Romantic Gothic

Late Victorian Gothic Tales. This heady brew was caught nowhere better than in the Osip Mandelstam, who died in in one of Stalin's labour camps, is one of Osip Mandelstam, who died in in one of Stalin's labour camps, is one of the greatest poets of this century. Brown's volume is a very full and important book which tells of Mandelstam's earlier life and gives an Want to Read saving….

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Articles | Romanticism on the Net

Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Romanticism and the Gothic by Michael Gamer. This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre--the Gothic. Michael Gamer analyzes how and why Romantic writers drew on Gothic conventions while, at the same time, denying their influence in order to claim critical respectability.

He shows how the reception of Gothic lit This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre--the Gothic.


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He shows how the reception of Gothic literature played a fundamental role in the development of Romanticism as an ideology, tracing the politics of reading, writing and reception at the end of the eighteenth century. Get A Copy. Paperback , pages. More Details Original Title. Other Editions 5. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Romanticism and the Gothic , please sign up.

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Romanticism and the Gothic: Genre, Reception, and Canon Formation (Cambridge Studies in Romanticism) Romanticism and the Gothic: Genre, Reception, and Canon Formation (Cambridge Studies in Romanticism)
Romanticism and the Gothic: Genre, Reception, and Canon Formation (Cambridge Studies in Romanticism) Romanticism and the Gothic: Genre, Reception, and Canon Formation (Cambridge Studies in Romanticism)
Romanticism and the Gothic: Genre, Reception, and Canon Formation (Cambridge Studies in Romanticism) Romanticism and the Gothic: Genre, Reception, and Canon Formation (Cambridge Studies in Romanticism)
Romanticism and the Gothic: Genre, Reception, and Canon Formation (Cambridge Studies in Romanticism) Romanticism and the Gothic: Genre, Reception, and Canon Formation (Cambridge Studies in Romanticism)
Romanticism and the Gothic: Genre, Reception, and Canon Formation (Cambridge Studies in Romanticism) Romanticism and the Gothic: Genre, Reception, and Canon Formation (Cambridge Studies in Romanticism)

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